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Ecce homo. Cómo se llega a ser lo que se es
It follows the Flagellation of Christ , the Crowning with thorns and the Mocking of Christ , the last two often being combined: [b] The usual depiction shows Pilate and Christ, the mocking crowd and parts of the city of Jerusalem. But, from the 15th century, devotional pictures began to portray Jesus alone, in half or full figure with a purple robe, loincloth, crown of thorns and torture wounds, especially on his head. Similar subjects but with the wounds of the crucifixion visible Nail wounds on the limbs, spear wounds on the sides , are termed a Man of Sorrow s also Misericordia. If the instruments of the Passion are present, it may be called an Arma Christi. If Christ is sitting down usually supporting himself with his hand on his thigh , it may be referred to it as Christ at rest or Pensive Christ. It is not always possible to distinguish these subjects.
Ecce homo (Nietzsche)
If Nietzsche were by my side I suspect he would want me to start with the following quote from Ecce Homo: "To you, the bold venturers and adventurers, and whoever has embarked with cunning sails upon dreadful seas, to you who are intoxicated with riddles, who take pleasure in twilight, whose soul is lured with flutes to every treacherous abyss. This time of disequilibrium and hormonal topsy-turvy ordinarily settles down into the next phase of life: early adulthood, where the soul pursues a more specialized field of study and then earnestly begins a profession or career. Additionally, to add fuel to the emotional and philosophical fire, Nietzsche was not only sensitive but hyper-sensitive to music and the arts and had extraordinary linguistic and literary abilities. Thus, we are well to remember all of this when we read in Ecce Homo: "Philosophy as I have hitherto understood and lived it, is a voluntary living in ice and high mountains - a seeking after everything strange and questionable in existence, all that has hitherto been excommunicated by morality. What one has no access to through experience one has no ear for. This is a question any aspiring reader of Nietzsche must ask.
Ecce Homo – Friedrich Nietzsche
The art critic is portrayed with a strategically placed pencil inscribed with the name VENUS substituting for his penis, with money a torn banknote and fashion the dandyish shoe merging with his head, with its unseeing eyes and aggressive, yet also partially toothless, mouth. However, the links between buffoonery, Nietzsche and the anti-sublime in Dada have remained underexplored. But Ball knew his Nietzsche well. Not only had Ball — a German national who left Berlin for neutral Switzerland in — written an unpublished doctoral dissertation on Nietzsche, 6 he also refers to him extensively both in his Critique of the German Intelligentsia 7 and also in his Flight out of Time: A Dada Diary.
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