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This new economic and political power led to increasing patronage of the arts and masterpieces were therefore produced in several areas. This period of intense artistic and literary creativity in Spain is, naturally, well documented in the collections of the Taylor Institution Library. Students of the Spanish Golden Age, however, may not know that the library is fortunate enough to possess not only a large amount of scholarship on this period of history, but also several early editions of works by the most celebrated authors and playwrights of the era.
Despite this religious conversion, however, his final years were not to be happy. Lope, however, was not only extraordinary in terms of his life experiences, but also in terms of his literary innovation. Normally consisting of three equal length acts, the genre proved to be extremely popular in Spain and scholars now attribute individual works to Lope de Vega alone.
This twentieth part of the comedias may only contain 12 plays from this impressive number attributed to the playwright, but they nevertheless demonstrate the range of the genre. This can be emphasised by a short analysis of just one of the comedias in this collection, Arauco Domado In this play, Lope de Vega dramatizes the conflict between the Spanish settlers and the Mapuche people in the territory that is now Chile, depicting an expanding Spanish-speaking world.
As his capture dishonours him, his wife Fresia ends the play by throwing their baby son at his feet and killing him. In this play, Lope therefore takes the classic comedia theme of honour, but transfers it to the New World, introducing a native voice in the process.
This play, however, is significant not only for its content, but also for its publication history as it demonstrates increasing communication, and conflict, among Spanish Golden Age writers.
This comedia, therefore, is a useful resource not only because of the way it portrays Spain and the New World , but also because it shows increasing communication among Spanish Golden Age writers and their differing representations of the same historical events..
Also of note in this volume are the three aprobaciones [endorsements] that appear at the start. As the Inquisition wanted to impede the spread of heretical ideas in Early Modern Spain, books had to be endorsed by both secular and religious authorities, and this volume is no exception. Arauco Domado and the history behind it may reveal both communication and disagreement among writers of this period, but the three aprobaciones at the start of the volume reveal that freedom of expression certainly had its limitations.
This blog post has provided only a brief introduction to the collections available at the library, but Taylorian readers interested in the Spanish Golden Age can consult a variety of early works from the period.
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