Kazragis Your name or email address: Feb 4, 4. Line that makes sense using tension and resolution to go somewhere and comeback. PDF file looking for the G Dorian scale because he acts like he just taught it to us which he did not. Transient cookies are kept in RAM and are deleted either when you close all your browser windows, or when you reboot your computer.
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Bahn You must log in or sign up to reply here. The Gear Page is run by musicians for musicians. He shows us how he does it anyway. Transient cookies are kept in RAM and are deleted either when you close all your browser windows, or when you reboot your computer. From there it goes down hill.
Please click the link in that email to activate your subscription. I am not so sure. To access your account information you need to be authenticated, which means that you need to enter your password to confirm that rpck are indeed the person that the cookie claims you to be.
Home Forums Recent Posts. When the expiry date is reached your computer deletes the cookie. Feb 4, 1. Both have DVD interviews, playing tips, etc.
I intrevallic his jams over blues, country, rock etc throughout the video, great examples. Carl says Hi and then we tune up together. For example, at loot. SwainFeb 4, Its not in there.
Bonamassa, Scott Henderson, etc. Subscribe to our newsletter Some error text Name. Do you already have an account? Feb 4, 2. I would reccommend it to anyone. That tells you right away this is an advanced 6 string electric guitar presentation. The Marketplace for Musicians We never store sensitive information about our customers in cookies. Line that makes sense using tension and resolution to go somewhere and comeback. Does what he show us here really do that? I came across his playing looking at some Fuchs intervalllic.
LOTS of great players sitting in on it, too! Can you dance to it? Feb 4, 7. In both cases you should know how to switch cookies back on! Related Posts.
INTERVALLIC ROCK PDF
Ever wonder why the major scale sounds like the major scale? The intervals separating a series of notes allow me to hear or identify a scale as Dorian, Lydian, or whatever. A minor triad sounds the way it does because of the major third stacked on top of a minor third. Big deal. Well, I started caring about this when I looked at how I could manipulate this idea to create different sounds out of the same chord qualities I use all the time. If intervals affect how something sounds, then we should be able to change the character of familiar chords by messing with the component intervals.
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Future Rock: Intervallic Intuition