Share via Email Negotiating with armies and managing an unruly household He also openly maintains a household of four illegitimate children by Vannozza dei Catanei — among them the infamous Lucrezia, still a child but already being haggled over by rival dynasties — and a new and beautiful mistress. In the 10 years covered by Blood and Beauty, Borgia Rome has to negotiate with the armies of the French king Charles VIII, and the great ruling families of divided Italy — "a sack of spatting cats that has learned nothing from the past" — through diplomacy and marriage, poison and charm. At the same time, Alexander has to manage his own unruly household: treacherous servants, a dangerously passionate daughter, and wilful, warring sons, trained from birth to fight their way to power. From the outset Dunant takes possession of her sprawling, unwieldy material.
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Shelves: historical-fiction , kindle , , italy , early-modern Eh. But I feel like this book fails as a work of fiction. That same historical research gets in the way of story, and large swathes of the book read as the straight listing of historical events. None of the characters come off the page with any real vibrancy, Eh. The Borgia name instantly evokes images of glorious wealth and even more glorious power, corruption, poison, and incest.
So we might approach this current book believing it to be a significant departure. In addition to climbing on a new bandwagon by fictionalizing famous real-life leaders, her canvas has broadened.
It encompasses the names many readers know well, first and foremost the ruthlessly ambitious Spanish-born Rodrigo Borgia Pope Alexander VI , patriarch not only to his beloved illegitimate children but to Catholic believers worldwide. But looking beyond them, it also presents an overarching portrait of the European political scene, including the changing alliances and deadly jockeying for supremacy among Rome, Naples, Milan, France, and Spain.
This is the grand sweep of history, moving from the epic to the personal and back. As Alexander uses his progeny as pawns to further his dynastic goals, they clash with the rulers of other Italian city-states and with one another.
Their interactions are what push the plot forward. He has a lot of on-page time, with not much change to his personality. His presence gets somewhat wearing after a while, but the conclusion proves he has some surprises up his sleeve. The novel uses a true omniscient viewpoint, a technique difficult to master — and for the most part it succeeds.
There are times, though, when she draws far back from the main plotlines to speak to readers about the historical context. While these informative segments are narrated with flair and drama, they break up the reading experience.
At these times, the story feels less a character-driven work than a history-driven one. Emerging gradually from amidst the multiple story strands is a shining thread of feminine empowerment.
Blood and Beauty
By the end of the fifteenth century, the beauty and creativity of Italy is matched by its brutality and corruption, nowhere more than in Rome and inside the Church. When Cardinal Rodrigo Borgia buys his way into the papacy as Alexander VI, he is defined not just by his wealth or his passionate love for his illegitimate children, but by his blood: He is a Spanish Pope in a city run by Italians. If the Borgias are to triumph, this charismatic, consummate politician with a huge appetite for life, women, and power must use papacy and family—in particular, his eldest son, Cesare, and his daughter Lucrezia—in order to succeed. Cesare, with a dazzlingly cold intelligence and an even colder soul, is his greatest—though increasingly unstable—weapon. Lucrezia, beloved by both men, is the prime dynastic tool. Twelve years old when the novel opens, hers is a journey through three marriages, and from childish innocence to painful experience, from pawn to political player. Look for special features inside.
Poison, Incest, Intrigue
By Liesl Schillinger July 5, On June 29 in the jubilee year of , lightning made a direct hit on Vatican City, striking the roof directly above the corrupt, scheming Spanish-born Pope Alexander VI — better known in our time as Rodrigo Borgia — while he sat on his majestic throne. First: the Borgia pope survived. And second: lightning also made a direct hit this year on the dome of St. Sometimes a lightning bolt is just a lightning bolt. The Borgias were definitely bad, but were they as bad as all that?
In the Name of the Family: Sarah Dunant
Early life[ edit ] Dunant was born in and raised in London. In Tokyo, she worked as an English teacher and nightclub hostess for six months, before returning home through Southeast Asia. Her eleven subsequent novels have explored two genres: contemporary thrillers and historical fiction. What unites the two is her decision to use avowedly popular forms, characterised by compelling storytelling, as a way to explore serious subject matter and reach large audiences. This has included though not exclusively a passionate commitment to feminism and the role of women inside history.